He provided money to bail Dr. King and other civil rights activists out of jail. He took part in the March on Washington in 1963. His spacious apartment on West End Avenue in Manhattan became Dr. King’s home away from home. And he quietly maintained an insurance policy on Dr. King’s life, with his family as the beneficiary, and donated his own money to make sure the family was taken care of after Dr. King was assassinated in 1968.
(Nonetheless, in 2013 he sued Dr. King’s three surviving children in a dispute over documents that Mr. Belafonte said were his property and the children said belonged to the King estate. The suit was settled the next year, with Mr. Belafonte retaining possession.)
In an interview with The Washington Post a few months after Dr. King’s death, Mr. Belafonte expressed ambivalence about his high profile in the civil rights movement. He would like, he said, to “be able to stop answering questions as though I were a spokesman for my people,” adding, “I hate marching, and getting called at 3 a.m. to bail some cats out of jail.” But, he said, he accepted his role.
The Challenge of Racism
In the same interview, he noted ruefully that although he sang music with “roots in the Black culture of American Negroes, Africa and the West Indies,” most of his fans were white. As frustrating as that may have been, he was much more upset by the racism that he confronted even at the height of his fame.
His role in the 1957 movie “Island in the Sun,” which contained the suggestion of a romance between his character and a white woman played by Joan Fontaine, generated outrage in the South; a bill was even introduced in the South Carolina Legislature that would have fined any theater showing the film. In Atlanta for a benefit concert for the Southern Christian Leadership Conference in 1962, he was twice refused service in the same restaurant. Television appearances with white female singers — Petula Clark in 1968, Julie Andrews in 1969 — angered many viewers and, in the case of Ms. Clark, threatened to cost him a sponsor.
He sometimes drew criticism from Black people, including the suggestion early in his career that he owed his success to the lightness of his skin (his paternal grandfather and maternal grandmother were white). When he divorced his wife in 1957 and married Julie Robinson, who had been the only white member of Katherine Dunham’s dance troupe, The Amsterdam News wrote, “Many Negroes are wondering why a man who has waved the flag of justice for his race should turn from a Negro wife to a white wife.”
Source: News